The southeastern United States saw its Latino population grow nearly sixty percent between 2000 and 2010, making it now the fastest growing Latino region in the country. In light of this, how do local spaces, namely museums, respond to demographic changes in their community, with particular attention to the growing visibility of these marginalized peoples? This paper reexamines James Clifford’s 1997 concept of “museums as contacts zones” with the ¡NUEVOlution!: Latinos and the New South exhibit at the Levine Museum of the New South in Charlotte, North Carolina, as a case study. As the museum works to be both an educational space and an experience through its collections and exhibitions, it aims to extend and complicate the South's black-and-white history while creating conversations about learning to live and re-negotiate space in a post-World War II South. In conjunction with post-colonial narratives being produced about and within museum studies, my research aims to unpack how the Levine Museum structures itself and its programming to institutionally collaborate and consult with the Latino community it attempts to “authentically” historicize in its newest exhibit, noting a large disjunction in the power dynamics between collaboration and consultation.